As she was the writer, director and star of the film, I wanted to relieve her of as much of the technical side as possible, and always try to offer inspiration for the look of each scene. Recommended By Columbia. The conflict between profound beauty and the monotony of day to day life really lent itself to bringing the highly cinematic, anamorphic look into locations that are normally considered drab and claustrophobic. Director Paul Shoulberg: The film deals primarily with the big, highly philosophical subject matter of death, but it takes place in seemingly mundane settings like hospital rooms, a living room, an office, etc. Previous Article Next Article. Historical Collection. They also have a very natural level of contrast and color rendition. Jaehwan Kim.
submitted 11 months ago by SansommFreelancer. So many movies are shot in wide DR and finished in a much smaller one I have the EVA-1 but unfortunately don't have any footage up yet. I didn't go for the C because I dont need raw all the time, however the 8 bit MP4 is actually pretty good.
Video: Eva 1 11 mp4 movies Short film "Radio 88" shot on EVA1 by Johnny Derango - Panasonic
The Panasonic EVA1 is undoubtedly the most exciting camera of last argue that, on paper, the Canon C or the Sony FS7 Mark II or the. Panasonic EVA1 Vs.
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Canon C – Which Is Better For Filmmakers? p, 50p, p, 25p, 24p, p; Canon RAW Light, MP4, MP4 Proxy on set a bit trickier than with the C II or other non-Canon cinema cameras. At one point, Panasonic led the ultra low budget indie film community with.
I like how it worked out. Cited by. New mom Surveen Chawla sheds off all the preg We looked to films that we both loved — many of which were inspirations at the script stage.
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The 8R was an exciting lens to use for the Chat room scenes when the actresses would break the 4th wall and talk directly to their clients, it gave a webcam feel without the fish eye look.
AU-EVA1, Sony FS7 Mark II, Canon C Mark II and Red Raven. The C only shoots 4K in RAW mode, you can't shoot 4K in MP4.
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We had a very small crew and production footprint at our primary location — a house on the side of a mountain. The anamorphic lenses helps us to submerge audience into a fantastic and unpredictable world. Director Jeremy Teicher: From the very beginning I knew that I would be a one-person operation directing, shooting, and recording sync sound, so my gear package was all about efficiency.
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|I did this by giving a little extra character to the image by shooting wide open. DP Conor Murphy: we knew we needed a wide array of focal lengths, primes as well as zooms, to capture the charged and fluctuating perspective of our young protagonist, and we wanted the organic quality of older glass.
The balance of all the above was a choice we made to keep a very formal aspect as well, composed wide static photography that our charachters move through — then right there with themthis is a contrast I really wanted from early on, not wanting the film to fall into a simply naturalistic, doco voyeuristic vain but find a way to keep it direct or.
Keeping it simple and agile so we could catch the light was the way to go. Director Bob Byington: We looked at Toni Erdmann a lot and made a simple decision about the axis for each scene, letting the positioning of the actors determine how we looked at them. And the speed of the lenses allowed us to be relatively minimal with lighting and move quickly.
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The AU-EVA1 is a new cinema camera positioned between the Lumix GH5 4K that are somewhat reminiscent of negative film and V-Gamut Page / Live Black Cobra () | Full Movie | Fred Williamson, Eva Grimaldi, Bruno Bilotta. Cinecurry Hollywood.
Cinematographer Chris Lew : I chose to shoot on the Amira with Zeiss Super Speeds because of the nature of the film, and the realties of our schedule and budget. Niveditha Gowda is excited to be part of Comedy Company.
We accentuated this in the grade, which was done at Fotokem, by pushing the color space towards an older Fuji film print stock, which was augmented in each year of the story through adding film grain and halation to differing degrees. I rated the camera at ASA to effectively protect the highlights and give the lenses a chance to resolve shooting the lenses at 2.
Video: Eva 1 11 mp4 movies C200 vs EVA-1 vs URSA Mini Pro vs FS5 - Compact Cinema Camera Shootout
Excellent molecular level dispersion was also observed from the fracture surface SEM images.